Monday, 25 March 2013

Review Wrap-Up: February - March 2013

Today we have a quartet of reviews to tantalize your tastes and expand your musical horizons. Eclectik Electrik music reviews: its a good thing! - Prof. Ric

#1 Alice Russell – To Dust


English-born Alice Russell is a rare breed in the world of the modern chanteuse; she manages to sound classic without ever stooping to being overtly retro. The music, produced and performed by TM Juke, is contemporary but Russell's bitter-sweet rasp is timeless. Not all tracks live up their potential but To Dust is peppered with highlights. Album opener 'A to Z' screams “sample me” and any entrepreneuring DJ could turn it into a funky club jam. She has a masterful command of the language of funk and soul and bends it effortlessly to her will. All three parts of 'Heartbreaker' (played out of order just for fun) mine the rich history of R&B and re-clothe it for a modern audience. With each album released Alice Russell becomes more confident in her abilities so wherever she goes from To Dust should be something to behold.

Rating: B-
Recommended tracks: Heartbreaker pt 2, Hard and Strong


#2 Endless Boogie – Long Island


There may not be a band on earth with a name the describes their sound better than Endless Boogie. Their albums are marathon slogs of jam-tastic noodling and blues rock excess that would make Canned Heat keel off their perch. Needless to say Long Island is a long album with its eight songs stretched over the full 79 minute run time so endurance is key to surviving the full run time. The vocal stylings of Paul “Top Dollar” Major might also take some getting used to. His tone is so gritty and raw you could be forgiven for thinking that some unhinged Vietnam veteran had hijacked the microphone. If that doesn't float your boat don't worry the focus is still on the endless piles of molten rock contained herein.

Rating: C
Recommended tracks: Taking Out The Trash


#3 The Fall of Every Season – Amends


Some may not like it, but Opeth are one of those touch-stone metal bands that are extremely easy to refer to when describing the sound of another. What makes Norway's The Fall Of Every Season so intriguing is that is manages to sound like early / Candlelight-era Opeth had they evolved in a different direction to the modern incarnation. Acoustic prog? Check. Grandiose riffs and hell hound's bark? Check. A clean singing voice to die for? Double check. But on Amends you will find less stylistic freak-outs than on Watershed, with the focus on creating a more emotionally engaging experience. Even more amazing is that all the music is coming from one man, Marius Strand. Many one-man acts sound a little lacking but Strand is more than capable of playing the force of nature that this record demands. Quality stuff all around.

Rating: B+
Recommended tracks: Sole Passenger, The Mammoth


#4 Jimi Hendrix – People, Hell, and Angels


Jimi suffers a little from his unreleased work being so readily plundered. Of all the famous “27 Club”, Hendrix was one of the greater tragedies given his comparatively small body of work. The albums, proper albums as constructed by the classic Experience trio, had a sense of movement as they let their many moods and styles interplay. Rock and roll powederkegs, smoldering blues, freakout jams, gospel joints, all rubbing shoulders and knowing their place. People, Hell, And Angels, or any other posthumous release for that fact, will never satisfy quite the way that Electric Ladyland did. This disc focuses on the band's looser, jammier modes over volcanic guitar leads with tracks like the impossibly funky 'Mojo Man' being futuristic for their day. None of these later day compilations will ever replace his primary discography but they all us to see another side to such a legendary musical iconoclast.

Rating: B-
Recommended tracks: Mojo Man, Let Me Move You

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