Wednesday, 22 May 2013

Album Review Double Feature: Kylesa & Dillinger Escape Plan

Kylesa - Ultraviolet
Kylesa are a heavy metal quintet from Savannah, Georgia and they specialize in dense and elaborate metal that overwhelms the senses. The new album Ultraviolet, just like every one of their albums before it, is a headbanger's dream. Long hair and resilient neck muscles were made for much such as this. While their previous record, Spiral Shadow, embraced prog and psychedelic rock Ultraviolet is far more streamlined and aims to accomplish more rocking out in a smaller time frame.

The call and response of opening track 'Exhale' owes a debt to, of all things, the Beastie Boys, and reminds us that both bands started out in their respective hardcore scenes. Kylesa's hardcore roots shine through again later on the enraged chorus of 'We're Taking This'. Not everything is speaker-breakingly loud but always heavy. Sometimes the heaviness is abrupt and in your face and at other times it takes the form of a powerful stoned haze as on closing track 'Drifting'. Every successive Kylesa album adds some new hues to their colour palette. 'Unspoken' dips its toes into turgid industrial gothic-ness, like Depeche Mode shaking pale hands with Neurosis.

Via singers Phillip Cope and Laura Pleasants, the voice of Kylesa is multifaceted and androgynous. All instruments lurch and writhe in unison, all dancing to the same demented muse. Most metal acts try to achieve that pummeling, shock-to-the-system sound in post-production and the results are uniformly lacking. Kylesa have made their sonic pyrotechnics more organic by employing two drummers and they both can pound the hell out of a kit. Ultraviolet is yet another throat-gripping opus from one of sludge's finest.

Rating: B+
Recommended tracks: Unspoken, Quicksand


The Dillinger Escape Plan – One of Us is the Killer


You can never accuse Dillinger Escape Plan of 'taking it easy'. Under the supervision of current singer Greg Puciato they have been firing out an album every three years like clockwork and touring the world relentlessly. The band's origins in math rock and experimental punk are well known but most of that remains firmly in the past. DEP are all about forwards momentum – brutal, punishing forwards momentum. That momentum has led them to creating One of Us is the Killer, eleven songs of unyielding intensity designed to test your ears and tolerance for mayhem. This album is possibly their sharpest and most immediate to date. No holds are barred and no quarter is given.

From the very first chords until the tortured screams of 'The Threat Posed By Nuclear Weapons' you are in for one hell of a ride. These songs fire away chaotically, leaving little to no breathing room in between. They demand you pay attention. There are quiet moments that simmer and seethe away but they only serve make the inevitable swing back into heaviness all the more shocking.

It's not hard to see why Dillinger have left a host of former band member sin their wake. It must be hard work to keep up with this barreling freight train and those that stand a chance have to be at the top of their game. They are unfortunately fated to live in the shadow of their earlier albums – Calculating Infinity and Irony is a Dead Scene are practically cult classics nowadays – but it is never for a lack of trying to outdo themselves.

Rating: B
Recommended tracks: Nothing's Funny, One of Us is the Killer

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